About

Nell Shaw Cohen
Nell Shaw Cohen (b. 1988) is a New York City-based composer, librettist, and multimedia artist. She evokes visual art, natural landscapes, and the lives of mavericks and artists in lyrical works from orchestral tone poems to mobile apps.

Cohen has been commissioned by Houston Grand Opera to write a “feminist rodeo opera” (premiere Spring 2021) with librettist Megan Cohen for HGOco’s Song of Houston chamber opera initiative. Her chamber opera Mabel’s Call will be featured at Fort Worth Opera’s Frontiers showcase (Spring 2018) and the University of New Mexico Opera Theatre will workshop the full score with Cohen as Composer-in-Residence (Fall 2018). Her monodrama The Coming of Spring (2014) was given a workshop staging in NYC. She is a recent alumna of the Composers & the Voice fellowship with American Opera Projects and Nautilus Music-Theater’s Composer-Librettist Studio at New Dramatists.

Her residencies have included Brush Creek Foundation for the Arts, The Helene Wurlitzer Foundation of New Mexico, NYU Symphony, and a Page 73 Yale Summer Residency with playwright Mashuq Mushtaq Deen. She has presented concerts with the Parrish Art Museum, Harwood Museum, and Peabody Essex Museum, and received commissions from Montage Music Society, NYU Symphony, Boston GuitarFest, and WordSong.

Raised between San Francisco, CA and Sag Harbor, NY, Cohen studied at New York University (Master of Music ’14) and New England Conservatory (Bachelor of Music ’12) with Herschel Garfein, Michael Gandolfi, Julia Wolfe, and Missy Mazzoli, among others. Her awards include the Jack Kent Cooke Foundation Graduate Arts Award, Presser Scholar Award, Chadwick Medal, and the Ellen Taaffe Zwilich Prize from the International Alliance for Women in Music
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As Founder & Director of LandscapeMusic.org, an online publication and a national composers network, Cohen advocates for music inspired by landscape, nature, and place.

Cohen is also an educational media producer and User Experience designer (portfolio at beyondthenotes.org). Her unique videos and interactive media have been viewed by thousands online. The Boston Globe described her web project Beyond the Notes: Music Inspired by Art as “far more extensive than the usual site devoted to an event or artwork…[with] loads of information connecting the music and art.” As a student, she received several university grants for her digital projects and earned a post-graduate certificate from NYU in educational media design.

Cohen publishes her music under Faraway Nearby (ASCAP). Scores are available for perusal and purchase upon request.

Curriculum Vitae

For a complete list of works, performances, residencies, and honors, download Cohen’s Curriculum Vitae (PDF).

Artist Statement

Much of my work centers on peoples’ search for meaning through experiences of place—particularly wilderness and rural landscapes. I’ve explored this theme by making musical interpretations of the creations of landscape painters and nature writers, as well as composing direct responses to places I myself have known: from the Sierra Nevada to the moors of England. I call this body of work “Landscape Music.” It encompasses concert music, opera, and music combined with video and photography.

My projects also often engage with the lives and legacies of mavericks and creative visionaries from history. I’m attracted to stories of people, like Mabel Dodge Luhan or John Muir, who grappled with tensions between American individualism and a yearning for community; creativity as a form of spirituality; and an expansive sense of beauty in nature and art as a form of personal and social healing.

I want to make music that provides emotionally accessible points of entry into intellectually complex subjects. Driven by lyricism, contrapuntal textures, syncopated rhythms, and an expressive simplicity in harmony and orchestration, my compositional aesthetic reflects my origins as a progressive rock musician and my love of Early Music as much as it reflects my classical conservatory training.

Press Highlights

Praise

“Nell’s extraordinary interdisciplinary vision…was an ideal program to introduce the public to the Museum’s collection through music and images. Two “standing room only” performances [of Watercolors] were met with high praise from attendees. The Director of the Museum cited this event as one of the best of the opening weekend.” —Andrea Grover, Curator of Special Programs, Parrish Art Museum

“[Workshop of opera Mabel’s Call] was a triumph of beauty, power, and art. To live to see this was a gift from the muse of music. We wept…Nell Shaw Cohen will take this opera all the way to the top!” —Lois Rudnick, Biographer of Mabel Dodge Luhan

“Nell Shaw Cohen deserves superlative praise for her compositions inspired by art, particularly her understanding of [painter] Charles E. Burchfield’s rapport with nature.” —Nancy Weekly, Head of Collections and Curator, Burchfield Penney Art Center

“Far more extensive than the usual site devoted to an event or artwork, [Beyond the Notes: Music Inspired by Art] contains…loads of information connecting the music and art.” —David Weininger, The Boston Globe

“[Point Reyes from Chimney Rock] sounded like an impressionist fantasy – a tone poem – and was most appealing sonically.” —Mark Greenfest, SoundWordSight

“[Movements from Nine Muses for solo flute] were alternately distant but lyrical, lively and playful, and contemplative and precise. [The movements for solo harp] had the most complex musical textures: lush and polyphonic, busy and punctuated, and lively and joyous.” —Basil Considine, The Boston Music Intelligencer

“I am so glad someone has at last given voice to what one imagines Burchfield might have been hearing in so many of his watercolors. Congratulations on bringing Burchfield alive in a way that I think he would have much appreciated.” —Richard Kahn, art collector