World Premiere of “Transforming Forest” at SITE Santa Fe

Andy Goldsworthy's "Tree Fall"
“Tree Fall” by Andy Goldsworthy. Photo by Nell Shaw Cohen.

Announcing the World Premiere of Transforming Forest (2018) for piano, violin, and cello, commissioned by Montage Music Society—Santa Fe’s chamber ensemble dedicated to music inspired by visual art.

SITE Santa FeThe World Premiere is presented by SITE Santa Fe, a world-renowned space for contemporary art. The program will be repeated on Montage Music Society’s Altazano Salon Series.

I composed Transforming Forest in response to the four incredible installations created by British artist Andy Goldsworthy in the Presidio of San Francisco. These site-specific artworks resonate deeply with me and I hope to share some small piece of that through my music. Visit my website about the project for descriptions of my music and the artworks that inspired it.

FRIDAY, MARCH 1, 2019 @ 6:00PM
SITE Sante Fe, Santa Fe, NM
Event Website

SATURDAY, MARCH 16, 2019 @ 3:00PM
Altazano Salon Series, Santa Fe, NM
Event Website

Artist Residency at The Helene Wurlitzer Foundation in Taos, NM

Casita studio at The Helene Wurlitzer Foundation in Taos, NM.
Adobe casita studio at The Helene Wurlitzer Foundation in Taos, NM.

I’m spending two months in Taos, NM as an Artist-in-Residence at The Helene Wurlitzer Foundation of New Mexico. I’m hard at work on the score of Turn and Burn, my upcoming chamber opera about rodeo for Houston Grand Opera’s HGOco.

As a three-time alumna of the Wurlitzer Foundation’s residency, I’ll also be giving an Artist Talk at The Harwood Museum of Art in conjunction with their special exhibit, The Legacy of Helene Wurlitzer: Works from the Harwood Collection. This event takes place on Friday, March 8, 2019 at 5:30pm. Details at harwoodmuseum.org.

World Premiere of “The Sphinx and the Milky Way” for orchestra at University of Wisconsin

Painting "The Sphinx and the Milky Way" by Charles E. Burchfield
“The Sphinx and the Milky Way” (1946) by Charles E. Burchfield.

The University of Wisconsin-La Crosse Symphony Orchestra presents the World Premiere of The Sphinx and the Milky Way—my tone poem for orchestra inspired by the visionary artworks of Charles E. Burchfield. (Pictured: Burchfield’s eponymous painting of a sphinx moth!)

This work was written in 2011 during my studies at New England Conservatory, where it was given a wonderful reading and recording session. Listen to NEC’s reading.

SATURDAY, MARCH 2, 2019 @ 2:00PM
University of Wisconsin-La Crosse Symphony Orchestra
La Crosse, WI
Event Website
(Special shout out to The Institute for Composer Diversity, whose database led this orchestra’s director to find my work!)

Live Video of “Retrace” Performed by Citywater

I’m pleased to share this video of Citywater’s World Premiere performance of Retrace (2018) for flute, violin, and cello, composed in response to the Juan Bautista de Anza National Historic Trail. This performance, which took place last September in Vallejo, CA, was part of Landscape Music: Rivers & Trails—a nationwide series of collaborative concerts I directed for the Landscape Music Composers Network.

The full concert, with works by seven other Landscape Music composers, is available on LandscapeMusic.org’s YouTube channel.

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Workshop Production of “Mabel’s Call” at University of New Mexico

Next month in New Mexico: My chamber opera Mabel’s Call will be given a staged workshop production, featuring the full 85-minute score with six principals, chorus, and chamber ensemble!

Mabel Dodge Luhan
Mabel Dodge Luhan

The accomplished faculty directors and student performers of the University of New Mexico Opera Theatre have spent the semester taking a deep dive into this opera and its historical inspiration: Mabel Dodge Luhan—the influential salon hostess, philanthropist, writer, and international icon of the avant-garde—and Taos, New Mexico in the 1910s and ’20s.

I’m incredibly honored by this collaboration and the invitation to work with the university as an artist in residence. After months of emails and video conferences, I arrive in Albuquerque next week to join rehearsals as the team prepares for their performances in UNM’s beautiful Keller Hall on November 2, 3, and 4.

Mabel’s Call has been developed over the past three years through workshops with American Opera Projects, Fort Worth Opera, and The Harwood Museum of Art, and two artist residencies at The Helene Wurlitzer Foundation of New Mexico.

Synopsis and recordings at mabelscall.com.

UNM Center for the Arts in Keller Hall
Albuquerque, New Mexico
November 2 & 3 at 7:30 pm
November 4 at 2:00 pm

Tickets available at the door or at unmtickets.com ($12, $10, $8).

World Premiere Performances of “Retrace” on Landscape Music: Rivers & Trails Concert Series

Landscape Music Composers Network logo
My newest work, Retrace for flute, violin, and cello, commemorates the 50th Anniversary of the National Trails System Act. It was composed in response to the Juan Bautista de Anza National Historic Trail, which retraces the expansion of colonial Spain through California and Arizona.

Cemetery wall, Mission Santa Barbara.
Cemetery wall, Mission Santa Barbara.

To prepare for this project, I took a road trip this summer following the Anza Trail from Los Angeles to San Francisco, stopping at sites where the 1775-76 Anza Expedition made camp.

Retrace will receive four co-World Premieres during Fall 2018 in venues around the country—see dates and locations below!

Each of these concerts are part of Landscape Music: Rivers & Trails, a nationwide concert series I’m directing that features 11 World Premieres inspired by National Trails and Wild & Scenic Rivers, all written by members of my group: the Landscape Music Composers Network. I’m thrilled by what we have in store—and I hope you might be able to hear some of this wonderful music. (I’ll be at the concerts in Vallejo and Portland, come say hi!)

SUNDAY, SEPTEMBER 23, 2018 @ 4:00PM in Vallejo, CA
Citywater at Visions of the Wild Festival
Event Website

THURSDAY, OCTOBER 4, 2018 @ 7:30PM in Houghton, MI
Michigan Technological University
Event Website

SUNDAY, OCTOBER 7, 2018 @ 2:00PM in Portland, OR
Cascadia Composers
Event Website

SATURDAY, NOVEMBER 3, 2018 @ 7:30PM in Boston, MA
Juventas New Music Ensemble
Event Website

Warm Reception for “Mabel’s Call” on Fort Worth Opera’s Frontiers Showcase

The most mysterious and probably most affecting of the three works was Mabel’s Call, an opera whose trio of excerpts were so subtle and arresting they exemplified a sort of waking-dream feeling [the] characters each seemed to be lost in…the composer most called to mind was Ives…” THE COLUMN

The cast of Mabel’s Call from the wings of Bass Performance Hall. Photo: Fort Worth Opera.

Excerpts from my chamber opera Mabel’s Call were beautifully performed last month on Fort Worth Opera’s Frontiers showcase. An aria and two scenes were given a piano-vocal reading in a showcase of new operas.

The performance received some lovely press: in addition to a glowing review in THE COLUMN, I was interviewed for a preview article in The Fort Worth Star-Telegram.

It was a great honor to have my work featured on this platform, to share the stage with highly accomplished artists, and to receive feedback from a jury of opera professionals, as part of this project’s development!

Performers Heather Weirich, Megan Koch, Sam Parkinson, and Emily Urbanek with Nell at Bass Performance Hall in Fort Worth, TX.

“Fallen Star” workshop at New Dramatists

The front door of "New Dramatists" with marquee advertising "Fallen Star"

In April, I was fortunate to co-direct a workshop of Fallen Star: a music-theater piece I’m writing with playwright Mashuq Mushtaq Deen (a collaborator from the Composer-Librettist Studio, who I am also working with on play The Betterment Society). This project started with a single song and blossomed into 40 minutes of words and music (that want to be 90 minutes!) during a few weeks of intensive writing with Deen.

The piece was given further shape through the contributions of an artistic team of otherworldly genius—music director Charity Wicks, singers Blake Friedman, Nicole Mitchell, and Camille Harris, and dramaturg Cori Ellison—who spent five days developing the project with us as part of a Creativity Fund workshop at New Dramatists.

Our work culminated in an informal presentation for an audience of friends and colleagues, who generously provided us with feedback in a Critical Response Process.

This was one of those moments when I’m particularly aware of the beauty of being an artist in New York City—and the beauty of New Dramatists, a remarkable institution supporting artist-led development.

“Mabel’s Call” Selected for Fort Worth Opera’s 2018 Frontiers Showcase

"Mabel's Call" Selected by Fort Worth Opera for 2018 Frontiers Showcase

I’m extremely honored that my chamber opera Mabel’s Call has been selected by Fort Worth Opera for their renowned 2018 Frontiers showcase! A 20-minute excerpt will be presented with piano accompaniment alongside other five other new operas-in-development during the Fort Worth Opera Festival at Bass Performance Hall in Fort Worth, Texas. Check out their press release for more information about each of the works selected for this year’s festival.

Mabel’s Call will be featured on Thursday, May 3, 2018. Tickets are $10 and may be purchased online.

Hailed as “one of the most significant music events of the year” by D Magazine, Fort Worth Opera’s Frontiers showcase has yielded numerous regional and world premieres since its inception. This program offers audiences a first look at the developmental processes for operas and gives emerging composers and librettists a platform to showcase their talents.

I’m incredibly fortunate to have Mabel’s Call continue its development as part of this amazing program. Learn more about this opera at mabelscall.com.

Rodeo opera research trip in Houston

Megan Cohen and I interviewed four-time World Champion barrel racer, Sherry Cervi, backstage at RODEOHOUSTON.

I had the great pleasure of spending last week doing immersive field research in Houston, Texas with my librettist collaborator (and sister) Megan Cohen. We’re in the early stages of developing a “feminist rodeo opera” commissioned by Houston Grand Opera’s HGOco for their wonderful Song of Houston chamber opera initiative.

Set at the present-day Houston Livestock Show and Rodeo, this opera’s fictional story focuses on women in rodeo culture. Our characters include a professional barrel racer, a CEO of a Western wear company, a rodeo queen, and the ghost of a 19th century cowboy.

Thanks to Houston Grand Opera’s HGOco, and the Houston Livestock Show and Rodeo, our research activities included interviews with seven amazing rodeo athletes (including World Champion barrel racers!); site visits to George Ranch, The Heritage Society, and the Hispanic Chamber of Commerce Women’s Leadership Conference; and, of course, plenty of exploring and observing the rodeo itself. Check out my Twitter and Instagram feed (#RodeoOpera) for photos and summaries of our experiences throughout the week!

The premiere production of our opera is scheduled for Spring 2021. I can’t wait to share it with you.