I’m spending two months in Taos, NM as an Artist-in-Residence at The Helene Wurlitzer Foundation of New Mexico. I’m hard at work on the score of Turn and Burn, my upcoming chamber opera about rodeo for Houston Grand Opera’s HGOco.
As a three-time alumna of the Wurlitzer Foundation’s residency, I’ll also be giving an Artist Talk at The Harwood Museum of Art in conjunction with their special exhibit, The Legacy of Helene Wurlitzer: Works from the Harwood Collection. This event takes place on Friday, March 8, 2019 at 5:30pm. Details at harwoodmuseum.org.
It inspired me to compose my first piece for solo piano (way, way past due!). It was my first opportunity to spend countless hours and miles walking by myself through an expansive landscape of astonishing beauty. (I took, literally, a thousand photographs.) I challenged myself to compose on the trail, and at the piano, away from my beloved (and sometimes constraining) Finale. This solitude was complemented by stimulating conversations at group meals, campfires, and sunset-watching sessions with fascinating fellow artists and new friends. I also got to learn more about horses, rodeo, and ranching from an expert and to watch horse wranglers at work (research for my upcoming “feminist rodeo opera” for HGOco).
These experiences will live on through my latest work, Walks at Brush Creek (2017) for solo piano. Here’s my program note for this piece:
Walks at Brush Creek was inspired by my daily walks through rural Western scenery as an Artist-in-Residence at Brush Creek Foundation for the Arts, located on a ranch in southeastern Wyoming abutting Medicine Bow National Forest. In the spirit of John Muir, I slowly “sauntered” for many miles on foot trails and dirt roads snaking through forests, valleys, and hills, and tried various approaches to combining this active mindfulness—a walking meditation, of sorts—with my creative process. The best days were when I generated melodies and motives on-the-move in the morning and fleshed them out at the piano in the afternoon. Walks at Brush Creek is the fruit of these experiments. With this score, I offer a musical illustration of my emotional responses to the landscape of Brush Creek Ranch—from the ever-shifting cloud shadows playing over the grasses and sagebrush to the sweeping lines of wooden fences that frame them.
I’m delighted to say that World Premiere of Walks at Brush Creek will be given at Michigan Technological University by faculty pianist Jon Ensminger on upcoming concert Music of the Landscape: Compositions Inspired by Our National Parks and Other Special Places. This event was coordinated by composer Libby Meyer in affiliation with my group, the Landscape Music Composers Network.
Sunday, December 10, 2017, 3:00pm
Michigan Technological University, McArdle Theatre
Walker 207, 1400 Townsend Drive, Houghton, MI 49931
Tickets: $5 Tickets and venue information
UPDATE: The full recording of the premiere performance Walks at Brush Creek is now online!
I recently had the honor of participating as a guest artist in Page 73‘s week-long Summer Residency on the Yale campus in New Haven, CT, workshopping a wonderful new play by Mashuq Mushtaq Deen with the all-star team of director Jessi Hill and actors Moe Angelos, Isabel Arraiza, Maya Sharpe, and Jade Wu. We lived and worked alongside artists developing three other projects, sharing readings of new work and exchanging ideas over daily group dinners.
Mashuq Mushtaq Deen invited me to collaborate on his play THE BETTERMENT SOCIETY after we’d worked together in New Dramatists’ Composer-Librettist Studio last winter. We’ve written a song for voice and guitar that is threaded throughout the structure of the play and creates a musical-dramatic arc for one the three women at the center of Deen’s narrative. The song was previously workshopped as part of a reading with director Jessi Hill at New Dramatists, and will receive further development on another reading in New York City this fall. I look forward to seeing where this project leads!