{"id":372,"date":"2018-06-03T13:19:30","date_gmt":"2018-06-03T17:19:30","guid":{"rendered":"http:\/\/www.nellshawcohen.com\/blog\/?p=372"},"modified":"2022-08-22T14:58:03","modified_gmt":"2022-08-22T18:58:03","slug":"warm-reception-for-mabels-call-at-fort-worth-operas-frontiers-showcase","status":"publish","type":"post","link":"https:\/\/www.nellshawcohen.com\/blog\/2018\/06\/warm-reception-for-mabels-call-at-fort-worth-operas-frontiers-showcase\/","title":{"rendered":"Warm Reception for &#8220;Mabel&#8217;s Call&#8221; on Fort Worth Opera&#8217;s Frontiers Showcase"},"content":{"rendered":"<p><strong>\u201c<em>The most mysterious and probably most affecting of the three works was <\/em>Mabel&#8217;s Call,\u00a0<em>an opera whose trio of excerpts were so subtle and arresting they exemplified a sort of waking-dream feeling [the] characters each seemed to be lost in&#8230;the composer most called to mind was Ives.<\/em>\u201d\u009d\u00a0<\/strong>,<em>THE COLUMN<\/em><\/p>\n<figure id=\"attachment_375\" aria-describedby=\"caption-attachment-375\" style=\"width: 256px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-375 size-medium\" src=\"https:\/\/www.nellshawcohen.com\/blog\/wp-content\/uploads\/2018\/06\/MabelsCall_BassHall-copy-256x300.jpg\" alt=\"\" width=\"256\" height=\"300\" srcset=\"https:\/\/www.nellshawcohen.com\/blog\/wp-content\/uploads\/2018\/06\/MabelsCall_BassHall-copy-256x300.jpg 256w, https:\/\/www.nellshawcohen.com\/blog\/wp-content\/uploads\/2018\/06\/MabelsCall_BassHall-copy.jpg 661w\" sizes=\"auto, (max-width: 256px) 100vw, 256px\" \/><figcaption id=\"caption-attachment-375\" class=\"wp-caption-text\">The cast of <em>Mabel&#8217;s Call<\/em> from the wings of Bass Performance Hall. Photo: Fort Worth Opera.<\/figcaption><\/figure>\n<p>Excerpts from my chamber opera\u00a0<em>Mabel&#8217;s Call<\/em>\u00a0were beautifully performed\u00a0last month\u00a0on Fort Worth Opera&#8217;s Frontiers showcase. An aria and two scenes were given a piano-vocal reading in a showcase of new operas.<\/p>\n<p>The performance received some lovely press: in addition to a glowing review in <a href=\"http:\/\/thecolumnonline.com\/review\/05-07-2018_FRONTIERS\" target=\"_blank\" rel=\"noopener\" data-cke-saved-href=\"http:\/\/thecolumnonline.com\/review\/05-07-2018_FRONTIERS\">THE COLUMN<\/a>,\u00a0I was interviewed for a preview\u00a0article in<em>\u00a0<a href=\"http:\/\/www.star-telegram.com\/entertainment\/music\/article209698844.html\" target=\"_blank\" rel=\"noopener\" data-cke-saved-href=\"http:\/\/www.star-telegram.com\/entertainment\/music\/article209698844.html\">The Fort Worth Star-Telegram<\/a>.<\/em><\/p>\n<p>It was a great honor to have my work\u00a0featured on this platform,\u00a0to share the stage with highly accomplished artists, and to receive feedback from a jury of opera professionals, as part of this project&#8217;s development!<\/p>\n<ul>\n<li><em>Learn more about\u00a0<a href=\"http:\/\/mabelscall.com\/\" target=\"_blank\" rel=\"noopener\" data-cke-saved-href=\"http:\/\/mabelscall.com\/\">Mabel&#8217;s Call<\/a><\/em><\/li>\n<li><em>Learn more about Fort Worth Opera&#8217;s\u00a0<a href=\"http:\/\/fwopera.org\/frontiers2018\/\" target=\"_blank\" rel=\"noopener\" data-cke-saved-href=\"http:\/\/fwopera.org\/frontiers2018\/\">Frontiers<\/a><\/em><\/li>\n<\/ul>\n<figure id=\"attachment_373\" aria-describedby=\"caption-attachment-373\" style=\"width: 525px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-373\" src=\"https:\/\/www.nellshawcohen.com\/blog\/wp-content\/uploads\/2018\/06\/2018-05-03-21.23.53-2-copy-1024x978.jpg\" alt=\"\" width=\"525\" height=\"501\" srcset=\"https:\/\/www.nellshawcohen.com\/blog\/wp-content\/uploads\/2018\/06\/2018-05-03-21.23.53-2-copy-1024x978.jpg 1024w, https:\/\/www.nellshawcohen.com\/blog\/wp-content\/uploads\/2018\/06\/2018-05-03-21.23.53-2-copy-300x286.jpg 300w, https:\/\/www.nellshawcohen.com\/blog\/wp-content\/uploads\/2018\/06\/2018-05-03-21.23.53-2-copy-768x733.jpg 768w\" sizes=\"auto, (max-width: 525px) 100vw, 525px\" \/><figcaption id=\"caption-attachment-373\" class=\"wp-caption-text\"><em>Performers\u00a0<\/em>Heather Weirich, Megan Koch, Sam Parkinson, and Emily Urbanek with Nell at Bass Performance Hall in Fort Worth, TX.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u201cThe most mysterious and probably most affecting of the three works was Mabel&#8217;s Call,\u00a0an opera whose trio of excerpts were so subtle and arresting they exemplified a sort of waking-dream feeling [the] characters each seemed to be lost in&#8230;the composer most called to mind was Ives.\u201d\u009d\u00a0,THE COLUMN Excerpts from my chamber opera\u00a0Mabel&#8217;s Call\u00a0were beautifully performed\u00a0last &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.nellshawcohen.com\/blog\/2018\/06\/warm-reception-for-mabels-call-at-fort-worth-operas-frontiers-showcase\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Warm Reception for &#8220;Mabel&#8217;s Call&#8221; on Fort Worth Opera&#8217;s Frontiers Showcase&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[82,28],"tags":[23,79,78,96],"class_list":["post-372","post","type-post","status-publish","format-standard","hentry","category-mabels-call","category-performances","tag-concerts-and-events","tag-mabel-dodge-luhan","tag-opera","tag-reviews"],"_links":{"self":[{"href":"https:\/\/www.nellshawcohen.com\/blog\/wp-json\/wp\/v2\/posts\/372","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nellshawcohen.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nellshawcohen.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nellshawcohen.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nellshawcohen.com\/blog\/wp-json\/wp\/v2\/comments?post=372"}],"version-history":[{"count":0,"href":"https:\/\/www.nellshawcohen.com\/blog\/wp-json\/wp\/v2\/posts\/372\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.nellshawcohen.com\/blog\/wp-json\/wp\/v2\/media?parent=372"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nellshawcohen.com\/blog\/wp-json\/wp\/v2\/categories?post=372"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nellshawcohen.com\/blog\/wp-json\/wp\/v2\/tags?post=372"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}