Best Friend (2023)

Tenor, acoustic guitar, and cello. 3 1/2 mins.

Selection from Sauntering Songs: a concert-length cantata on the theme of walking, commissioned by Skylark Vocal Ensemble.

Lyrics by Nell Shaw Cohen.

Sensitivity Consultant: Laura Elliott (Twitter).

Perusal Score

View perusal score.

Performance score available for purchase. Please direct inquiries to Nell Shaw Cohen at nell@nellshawcohen.com.

Program Note
Watercolor painting of a border collie wearing a red service dog vest.
Painting by Nell Shaw Cohen

A disabled hiker and their service dog, named Stickeen, are out on a mountain trail.

“Best Friend” is a selection from Sauntering Songs: a concert-length cantata on the theme of walking, commissioned by Skylark Vocal Ensemble.

My lyrics were informed by the work of writers and advocates in the disability community, notably Coast Guard veteran Tenley Lozano’s essay “Submerged” (Crab Orchard Review) and interview “Hiking with a Service Dog”, Cascade Hiker podcast; Syren Nagakyrie’s work with DisabledHikers.com; and Bill Irwin’s hiking memoir Blind Courage.

This song is dedicated to walkers who are tough in ways others don’t always understand.

Performance History

Visit the Sauntering Songs page for performance history.

Where There Was No Path (2023)

SATB choir. 3 mins.

Selection from Sauntering Songs: a concert-length cantata on the theme of walking, commissioned by Skylark Vocal Ensemble.

“Trespassing” by Nell Shaw Cohen, 2023. Watercolor on paper.
“Trespassing” by Nell Shaw Cohen, 2023. Watercolor on paper.

Perusal Score

View perusal score.

Performance score available for purchase. Please direct inquiries to Nell Shaw Cohen at nell@nellshawcohen.com.

NEW! Seeking repertoire for your choir or vocal ensemble? Check out my programming guide for choral directors.

Continue reading “Where There Was No Path (2023)”

Street Haunting (2023)

SATB choir. 3 1/2 mins.

Selection from Sauntering Songs: a concert-length cantata on the theme of walking, commissioned by Skylark Vocal Ensemble.

“The Boulevard Montmartre on a Winter Morning” (1897) by Camille Pissarro.
“The Boulevard Montmartre on a Winter Morning” (1897) by Camille Pissarro.

Perusal Score

View perusal score.

Performance score available for purchase. Please direct inquiries to Nell Shaw Cohen at nell@nellshawcohen.com.

NEW! Seeking repertoire for your choir or vocal ensemble? Check out my programming guide for choral directors.

Continue reading “Street Haunting (2023)”

One Walks the Flesh Transparent (2023)

SATB choir. 4 mins.

Selection from Sauntering Songs: a concert-length cantata on the theme of walking, commissioned by Skylark Vocal Ensemble.

“Barra” (1903), Samuel John Peploe.
“Barra” (1903), Samuel John Peploe. National Galleries of Scotland.

Perusal Score

View perusal score.

Performance score available for purchase. Please direct inquiries to Nell Shaw Cohen at nell@nellshawcohen.com.

NEW! Seeking repertoire for your choir or vocal ensemble? Check out my programming guide for choral directors.

Continue reading “One Walks the Flesh Transparent (2023)”

Further Out, Deeper In (2023)

SATB choir. 4 mins.

Selection from Sauntering Songs: a concert-length cantata on the theme of walking, commissioned by Skylark Vocal Ensemble.

Lyrics by Nell Shaw Cohen.

Photograph of dirt path through grassy hills, a figure walking in the distance
“Chimney Rock, Point Reyes National Seashore” by Nell Shaw Cohen.
Perusal Score

View perusal score.

Performance score available for purchase. Please direct inquiries to Nell Shaw Cohen at nell@nellshawcohen.com.

NEW! Seeking repertoire for your choir or vocal ensemble? Check out my programming guide for choral directors.

Continue reading “Further Out, Deeper In (2023)”

Breath of the Meadow, Heart of the Woodland (2021)

Flute, clarinet, horn, percussion, violin, viola, and cello. 5 ½ minutes.

Commissioned by American Wild Ensemble, Juventas New Music Ensemble, Landscape Music, and Michigan Technological University Department of Visual and Performing Arts to commemorate the 2022 bicentennial of the birth of Frederick Law Olmsted.

Perusal Score

View perusal score.

Performance score and parts available for purchase. Please direct inquiries to Nell Shaw Cohen at nell@nellshawcohen.com.

Program Note

Landscape architect Frederick Law Olmsted described urban parks as “the lungs of the city.” My music responds to Olmsted & Calvert Vaux’s expression of this metaphor through the iconic meadows and woodlands of New York City’s Prospect Park (1867) and Central Park (1858).

A lyrical theme, accompanied by sustained chords held against the flow of undulating triplets, opens and closes the piece. This music evokes the parks’ meadows, where the human body and the body of the landscape are connected through shared “breath.” Stepping off a busy sidewalk into these wide open spaces, the sensation of my lungs filling with fresh air feels like the echo of a gentle breeze blowing through treetops and grasses.

A middle section of syncopated rhythms and sinuous counterpoint recalls the parks’ winding woodland interiors, which reflect the “heart” of both visitor and landscape. These woodlands are spaces for contemplation and intimate conversation, where dense forest gives cover to an enigmatic network of footpaths.

Even as I cherish these two parks, I find their present-day terrain obfuscates a complex history. Seneca Village (1825-1857) was a vibrant Black community, which New York City’s government forcibly vacated in order to build Central Park. Both parks continue to occupy Lenapehoking: the unceded homeland of the Lenape.

The concept of parks as “lungs” may have come from Olmsted’s work in public health during the Civil War. Yet this idea feels strikingly poignant in our own time of pandemic and climate crisis, and has given inspiration and impetus to my music.

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Performance History
  • Michigan Technological University, Houghton, MI, 10/09/22.
  • American Wild Ensemble (Emlyn Johnson, flute, Ellen Breakfield-Glick, clarinet, Joel Ockerman, horn, Lauren Cauley, violin, Molly Goldman, viola, Daniel Ketter, cello, Colleen Bernstein, percussion), Highland Park, Rochester, NY, 8/07/22.
  • Juventas New Music Ensemble (Wei Zhao, flute, Wolcott Humphrey, clarinet, Anne Howarth, horn, Jesse MacDonald, violin, Lu Yu, viola, Minjin Chung, cello, Tom Schmidt, percussion), Frederick Law Olmsted National Historic Site, Brookline, MA, 6/04/22.
  • American Wild Ensemble (Emlyn Johnson, flute, Ellen Breakfield-Glick, clarinet, Joel Ockerman, horn, Lauren Cauley, violin, Molly Goldman, viola, Daniel Ketter, cello, Colleen Bernstein, percussion), CCNY Spitzer School of Architecture, New York, NY, 5/28/22.
  • American Wild Ensemble (Emlyn Johnson, flute, Ellen Breakfield-Glick, clarinet, Joel Ockerman, horn, Lauren Cauley, violin, Molly Goldman, viola, Daniel Ketter, cello, Colleen Bernstein, percussion), Prospect Park, Brooklyn, NY, 5/28/22.
  • Juventas New Music Ensemble (Wei Zhao, flute, Wolcott Humphrey, clarinet, Anne Howarth, horn, Ryan Shannon, violin, Lu Yu, viola, Minjin Chung, cello, Tom Schmidt, percussion), Multicultural Arts Center. East Cambridge, MA, 3/26/22.