Performance score and parts available for purchase. Please direct inquiries to Nell Shaw Cohen at nell@nellshawcohen.com.
Program Note
Lament for the Land expresses the grief many of us feel over humanity’s broken relationship with our environment, and the hopeful yearning for a healed Earth that guides our actions. Adapted from music originally composed for an opera with libretto by Mashuq Mushtaq Deen.
Performance score and parts available for purchase. Please direct inquiries to Nell Shaw Cohen at nell@nellshawcohen.com.
Program Note
A miniature inspired by Edvard Munch’s 1912 painting “The Sun,” this World Premiere was composed for World Premiere at The Clark Art Institute’s Community Day.
Flute, clarinet, horn, percussion, violin, viola, and cello. 5 ½ minutes.
Commissioned by American Wild Ensemble, Juventas New Music Ensemble, Landscape Music, and Michigan Technological University Department of Visual and Performing Arts to commemorate the 2022 bicentennial of the birth of Frederick Law Olmsted.
Performance score and parts available for purchase. Please direct inquiries to Nell Shaw Cohen at nell@nellshawcohen.com.
Program Note
Landscape architect Frederick Law Olmsted described urban parks as “the lungs of the city.” My music responds to Olmsted & Calvert Vaux’s expression of this metaphor through the iconic meadows and woodlands of New York City’s Prospect Park (1867) and Central Park (1858). A lyrical theme, accompanied by sustained chords held against the flow of undulating triplets, opens and closes the piece. This music evokes the parks’ meadows, where the human body and the body of the landscape are connected through shared “breath.” Stepping off a busy sidewalk into these wide open spaces, the sensation of my lungs filling with fresh air feels like the echo of a gentle breeze blowing through treetops and grasses. A middle section of syncopated rhythms and sinuous counterpoint recalls the parks’ winding woodland interiors, which reflect the “heart” of both visitor and landscape. These woodlands are spaces for contemplation and intimate conversation, where dense forest gives cover to an enigmatic network of footpaths. Even as I cherish these two parks, I find their present-day terrain obfuscates a complex history. Seneca Village (1825-1857) was a vibrant Black community, which New York City’s government forcibly vacated in order to build Central Park. Both parks continue to occupy Lenapehoking: the unceded homeland of the Lenape. The concept of parks as “lungs” may have come from Olmsted’s work in public health during the Civil War. Yet this idea feels strikingly poignant in our own time of pandemic and climate crisis, and has given inspiration and impetus to my music.
American Wild Ensemble (Emlyn Johnson, flute, Ellen Breakfield-Glick, clarinet, Joel Ockerman, horn, Lauren Cauley, violin, Molly Goldman, viola, Daniel Ketter, cello, Colleen Bernstein, percussion), Highland Park, Rochester, NY, 8/07/22.
Juventas New Music Ensemble (Wei Zhao, flute, Wolcott Humphrey, clarinet, Anne Howarth, horn, Jesse MacDonald, violin, Lu Yu, viola, Minjin Chung, cello, Tom Schmidt, percussion), Frederick Law Olmsted National Historic Site, Brookline, MA, 6/04/22.
American Wild Ensemble (Emlyn Johnson, flute, Ellen Breakfield-Glick, clarinet, Joel Ockerman, horn, Lauren Cauley, violin, Molly Goldman, viola, Daniel Ketter, cello, Colleen Bernstein, percussion), CCNY Spitzer School of Architecture, New York, NY, 5/28/22.
American Wild Ensemble (Emlyn Johnson, flute, Ellen Breakfield-Glick, clarinet, Joel Ockerman, horn, Lauren Cauley, violin, Molly Goldman, viola, Daniel Ketter, cello, Colleen Bernstein, percussion), Prospect Park, Brooklyn, NY, 5/28/22.
Juventas New Music Ensemble (Wei Zhao, flute, Wolcott Humphrey, clarinet, Anne Howarth, horn, Ryan Shannon, violin, Lu Yu, viola, Minjin Chung, cello, Tom Schmidt, percussion), Multicultural Arts Center. East Cambridge, MA, 3/26/22.
Commissioned by Skylark Vocal Ensemble. Inspired by the flowering of visual art and poetry in Victorian Britain during the 1840s-1870s.
Any of the three movements may be programmed separately as standalone works for performance.
NEW! Skylark Vocal Ensemble’s World Premiere live recording of Transform the World with Beauty (tracks 18-20, paired with Sauntering Songs) is available now on all major streaming music platforms (including Spotify, Amazon Music, Apple Music, Pandora, and Tidal). The CD will be available in October, and may be pre-ordered from Skylark. Read the digital liner notes with essays and lyrics.
