Breath of the Meadow, Heart of the Woodland (2021)

Flute, clarinet, horn, percussion, violin, viola, and cello. 5 ½ minutes.

Commissioned by American Wild Ensemble, Juventas New Music Ensemble, Landscape Music, and Michigan Technological University Department of Visual and Performing Arts to commemorate the 2022 bicentennial of the birth of Frederick Law Olmsted.

Perusal Score

View perusal score.

Performance score and parts available for purchase. Please direct inquiries to Nell Shaw Cohen at nell@nellshawcohen.com.

Program Note

Landscape architect Frederick Law Olmsted described urban parks as “the lungs of the city.” My music responds to Olmsted & Calvert Vaux’s expression of this metaphor through the iconic meadows and woodlands of New York City’s Prospect Park (1867) and Central Park (1858).

A lyrical theme, accompanied by sustained chords held against the flow of undulating triplets, opens and closes the piece. This music evokes the parks’ meadows, where the human body and the body of the landscape are connected through shared “breath.” Stepping off a busy sidewalk into these wide open spaces, the sensation of my lungs filling with fresh air feels like the echo of a gentle breeze blowing through treetops and grasses.

A middle section of syncopated rhythms and sinuous counterpoint recalls the parks’ winding woodland interiors, which reflect the “heart” of both visitor and landscape. These woodlands are spaces for contemplation and intimate conversation, where dense forest gives cover to an enigmatic network of footpaths.

Even as I cherish these two parks, I find their present-day terrain obfuscates a complex history. Seneca Village (1825-1857) was a vibrant Black community, which New York City’s government forcibly vacated in order to build Central Park. Both parks continue to occupy Lenapehoking: the unceded homeland of the Lenape.

The concept of parks as “lungs” may have come from Olmsted’s work in public health during the Civil War. Yet this idea feels strikingly poignant in our own time of pandemic and climate crisis, and has given inspiration and impetus to my music.

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Performance History
  • Michigan Technological University, Houghton, MI, 10/09/22.
  • American Wild Ensemble (Emlyn Johnson, flute, Ellen Breakfield-Glick, clarinet, Joel Ockerman, horn, Lauren Cauley, violin, Molly Goldman, viola, Daniel Ketter, cello, Colleen Bernstein, percussion), Highland Park, Rochester, NY, 8/07/22.
  • Juventas New Music Ensemble (Wei Zhao, flute, Wolcott Humphrey, clarinet, Anne Howarth, horn, Jesse MacDonald, violin, Lu Yu, viola, Minjin Chung, cello, Tom Schmidt, percussion), Frederick Law Olmsted National Historic Site, Brookline, MA, 6/04/22.
  • American Wild Ensemble (Emlyn Johnson, flute, Ellen Breakfield-Glick, clarinet, Joel Ockerman, horn, Lauren Cauley, violin, Molly Goldman, viola, Daniel Ketter, cello, Colleen Bernstein, percussion), CCNY Spitzer School of Architecture, New York, NY, 5/28/22.
  • American Wild Ensemble (Emlyn Johnson, flute, Ellen Breakfield-Glick, clarinet, Joel Ockerman, horn, Lauren Cauley, violin, Molly Goldman, viola, Daniel Ketter, cello, Colleen Bernstein, percussion), Prospect Park, Brooklyn, NY, 5/28/22.
  • Juventas New Music Ensemble (Wei Zhao, flute, Wolcott Humphrey, clarinet, Anne Howarth, horn, Ryan Shannon, violin, Lu Yu, viola, Minjin Chung, cello, Tom Schmidt, percussion), Multicultural Arts Center. East Cambridge, MA, 3/26/22.

Woman Walking (2020/arr. 2023)

Soprano and piano. 5 mins. Also arranged for piano and cello, and for mezzo-soprano.

Watercolor painting of a city street
Painting by Nell Shaw Cohen

Soprano and piano version commissioned by Laura Strickling for The 40@40 Project.

Mezzo-soprano, cello, and piano version excerpted from Sauntering Songs: a concert-length cantata on the theme of walking, commissioned by Skylark Vocal Ensemble.

Lyrics by Megan Cohen.

The World Premiere recording of Woman Walking is featured on 40@40 released by soprano Laura Strickling (Bright Shiny Things). Available for purchase and for streaming on all major platforms. Nominated for a 2024 GRAMMY Award for Best Classical Solo Vocal Album.

Perusal Score

View perusal score for soprano and piano version.

View perusal score for mezzo-soprano, cello, and piano version.

A version for piano, cello, and piano (a combination of the above) is also available.

Performance scores available for purchase. Please direct inquiries to Nell Shaw Cohen at nell@nellshawcohen.com.

Program Note

A portrait of a solitary woman and present-day flâneuse as she saunters on city streets, taking it all in and going nowhere in particular. Originally commissioned by Laura Strickling in a version for soprano and piano, this song was later arranged and incorporated into Sauntering Songs: a concert-length cantata on the theme of walking, commissioned by Skylark Vocal Ensemble. 

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Performance History

Soprano and piano version:

  • Laura Strickling, soprano and Daniel Schlosberg, piano; University of Notre Dame, Notre Dame, IN, 3/2/22.
  • Laura Strickling, soprano and Daniel Schlosberg, piano; Thirsty Ears Festival, Chicago, IL, 8/14/22.
  • Laura Strickling, soprano and Daniel Schlosberg, piano; Baltimore Lieder Weekend, Baltimore, MD, 10/21/22.
  • Laura Strickling, soprano and Daniel Schlosberg, piano; Bargemusic, Brooklyn, NY, 4/14/23.
  • Emily Siar, soprano and Jean Anderson Collier, piano, National Association of Teachers of Singing (NATS) National Conference, Knoxville, TN, 7/1/24.

Mezzo-soprano, cello, and piano version:

Visit the Sauntering Songs page for performance history.

Turn and Burn (2020)

Opera in one act for 2 sopranos, mezzo-soprano, baritone, and bass-baritone, with electric and acoustic guitars, bass guitar, drum set, 2 violins, viola, cello, and double bass. 71 mins.

Libretto by Megan Cohen. Commissioned by Houston Grand Opera for HGOco’s “Song of Houston” initiative. Recipient of OPERA America Commissioning Grant for Female Composers.

Barrel racer in black and white

In Turn and Burn, small-town barrel racing champion Shayla Taylor and ambitious executive Jamie Hernandez aim for a big win at the Houston Livestock Show and Rodeo. When an accident threatens Shayla’s career-defining race, the women discover each other’s strength in adversity. Set in a colorful world of bucking broncs and carnival rides, composer Nell Shaw Cohen and librettist Megan Cohen’s original story informed by interviews with rodeo athletes offers a feminist perspective on contemporary rodeo culture.

Performance History

Workshop at Houston Grand Opera, Houston, TX, Geoffrey Loff, Conductor; 12/09/19.

World Premiere production originally scheduled for February 2021, postponed (due to COVID-19) to 2023 .

Retrace (2018)

Flute, violin, and cello. 7 ½ mins.

Live recording of by Citywater (Cathie Apple, flute; Amy Lindsey, violin; Timothy Stanley, cello):

Live recording by Juventas New Music Ensemble (Nicholas Southwick, flute; Ryan Shannon, violin; and Matthew Smith, cello):

A work inspired by the Juan Bautista de Anza National Historic Trail, explored through an independent artist residency following the trail from Los Angeles to San Francisco, CA. Retrace was written in commemoration of the 50th anniversary of the National Trails System Act of 1968, for World Premiere on the Landscape Music: Rivers & Trails concert series.
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