World Premiere Recording of “It’s a Long Way” by Skylark Vocal Ensemble

Painting of ocean, sky, and horizon with bright, pale light
“Seascape” (1901), watercolor, William Trost Richards (1833”“1905). Public domain.

The World Premiere recording of my newest choral work, It’s a Long Way, commissioned by GRAMMY-nominated vocal ensemble Skylark, has just been released!

Check out Skylark’s website for free access to the recording, score, and oodles of supplementary videos and study materials that their team of artist-educators has put together to make my score visible, accessible, and approachable for high school and college-level virtual choirs.

I’m honored to be featured in this project alongside Jonathan Woody, whose new work I Conquer the World with Words is a gorgeous and dynamic expression of the impact of language.

I applaud Skylark’s support of us living composers and encouragement of young singers’ engagement with new music, as well as providing students and educators with world-class choral study materials.

New Recording! “Transform the World with Beauty” for Vocal Ensemble

GRAMMY Award-nominated vocal ensemble Skylark gave absolutely stunning premiere performances of my work Transform the World with Beauty, which they commissioned for their Spring 2019 program “Masterpiece” featuring musical reflections of visual art. They recorded my piece during their tour’s culminating concert on the Georgetown Concert Series in Washington, D.C.

In the following video, I’ve paired the ensemble’s recording with texts and images from the Victorian artists and poets,Julia Margaret Cameron, Christina Rossetti, Dante Gabriel Rossetti, and William Morris,who inspired my composition.

Watch below (or on YouTube here), and continue reading for my notes about this work.

video credits

Performed by Skylark Vocal Ensemble (Matthew Guard, Artistic Director). Audio Recording by Dan Shores. Video Editing by Nell Shaw Cohen.


Transform the World with Beauty, an 11-minute work for SATB vocal ensemble in three movements, is inspired by the flowering of visual art and poetry in Victorian Britain during the 1840s-1870s.

Julia Margaret Cameron, "Pomona," 1872

The first movement, “My First Camera,” celebrates avant-garde photographer, Julia Margaret Cameron. In my adaptation of an excerpt from Cameron’s autobiography, this pioneering artist describes the power of her creative impulse when she first took up the camera as a 48-year-old wife and mother. (Image: Julia Margaret Cameron, “Pomona,” 1872.)

“In an Artist’s Studio” is a setting of a poem by Christina Rossetti. She offers an incisive, feminist critique of her brother, Pre-Raphaelite painter Dante Gabriel Rossetti, and his obsessive depictions of an idealized woman. (Image: Dante Gabriel Rossetti, “The Annunciation” (detail), 1849.)

William Morris, "Strawberry Thief" wallpaper design, 1883

The final, title movement is inspired by the work and ideas of William Morris. The botanical and mythological titles of Morris’ sensuous textiles and wallpaper designs are juxtaposed with lofty sentiments from his philosophical lectures and essays. These two strands of Morris’ world, disparate at first, come together into a hopeful vision of society “transformed” through the beauty of nature and art. (Image: William Morris, “Strawberry Thief” wallpaper design, 1883.)

New Videos: “Refuge” Premiere and Landscape Music Interview

The concert I curated for the Parrish Art Museum last September featured NYC-based chamber quartet Cadillac Moon Ensemble in a program of music written by members of the Landscape Music Composers Network celebrating the National Park Service centennial. It was tremendously gratifying to see a year’s planning come to fruition and to receive such a great audience turnout and response.

Nell in The East Hampton StarWe received coverage in several publications, including The East Hampton Star, which featured an article about my work on the front page of their Arts & Living section.

This event included the World Premiere of my wildlife conservation suite, Refuge, written for Cadillac Moon Ensemble. You can now watch the performance online!

I also had the opportunity to sit down with three fellow composers, who traveled from all around the country to participate in this event. We had a fascinating and wide-ranging conversation about the processes, goals, and challenges of writing music inspired by nature.

New videos “California Zephyr,” “Horizon,” and upcoming premiere in Boston

California Zephyr – Video and Music Online

This video and music piece inspired by a cross-country train trip, created for the NYU Contemporary Music Ensemble, was given an excellent premiere performance with video projection on April 28 in the Frederick Loewe Theatre at NYU. Now you can watch the video online with live musical recording. I hope you enjoy it!

Horizon: New York #1 & #2 – Dance & Music Films Online

The audience at my April 29th recital saw the world premiere screening of version #1 of Horizon: New York, a short film I created featuring wonderful dancer-choreographer Callie Lyons and cellist Fjóla Evans. There are actually two versions of the video, shot in two different locations in Brooklyn (Brooklyn Bridge Park and Prospect Park), both of which are now available for viewing online.

Premiere of Commissioned Work at Boston GuitarFest

When guitarist Devin Ulibarri – who I previously collaborated with in 2011 on Triptych – asked me to write a piece for him and flutist Alicia Mielke relating to Boston GuitarFest‘s theme of “American Odyssey,” I gravitated towards the woodblock prints and ink and watercolor paintings of the Japanese-American artist Chiura Obata (1885-1975).

Devin and Alicia will premiere my Obata-inspired composition Dai-Shizen (Great Nature) at the Emerging Artists concert on the 9th annual Boston GuitarFest on Saturday, June 28 at 3:00pm in New England Conservatory’s Jordan HallVisit the Boston GuitarFest website to learn more about the concert.

The Coming of Spring: Success

Thank you to everyone who came out to see my recital and the staged workshop production of one-act monodrama The Coming of Spring on April 29. This was an extremely special evening for me and the audience response was very rewarding!

The performance was well documented and I’ll be sharing video and audio excerpts with you in the near future.

Recording of “Symphony No. 1”

I was honored to be selected for the New York University Orchestra composer reading and recording session on November 19. The student orchestra had a brief rehearsal and run-through of the second movement of my Symphony No. 1, led by David Rosenmeyer, conductor.

You can listen to the recording on my website, alongside the reading of the first movement of the symphony from last spring by the New England Conservatory Philharmonia.

Listen to Symphony No. 1, first and second movements

Two more movements of this four-movement symphony have not yet been recorded.

Reading of “The Sphinx and the Milky Way” for orchestra

Charles Burchfield, The Sphinx and the Milky Way (1946)
Charles Burchfield, The Sphinx and the Milky Way, 1946. Munson-Williams-Proctor Arts Institute, Utica, NY.

My tone poem for orchestra, The Sphinx and the Milky Way, received a reading on May 2nd, 2011 by the New England Conservatory Philharmonia under the baton of Andres Lopera, who is studying with Hugh Wolff. This piece, like my wind quintet Watercolors, was inspired by the paintings of Charles Burchfield.

Listen to an mp3 of the reading (duration ca. 5 minutes).

Please keep in mind that this is a reading, not a rehearsed performance.

“The Faraway Nearby” premiere and recording session

** UPDATE: The Faraway Nearby is now available for viewing online!! Please visit **

The live performance at Tuesday Night New Music
The premiere at Tuesday Night New Music

The Faraway Nearby: Georgia O’Keeffe and the New Mexico Landscape has just received a very successful premiere screening with musical performance at New England Conservatory on the Tuesday Night New Music on a Wednesday concert on November 10. The piece was performed by a group of NEC students: Lisa Husseini (flute), Christopher Mothersole (clarinet), Wesley Chu (piano), Samantha Bennett (violin), and Marza Wilks (cello).

The ensemble performed  in front of a video projection, listening to a click track on headphones. I programmed the click to match the tempo of the mock-up MIDI track which the video was edited to, so the music in the performance was timed precisely to every cut in the video.

Although we’d rehearsed the music extensively beforehand, this was actually the first time that I’d heard/seen a performance of the music together with the video.

The ensemble with Nell after the performance
Nell with the ensemble

I was excited to discover that being to able to hear and see the musicians really lent a live energy to the video. This gave it the feeling of a true multimedia performance, not just a film screening. I hope to be able to organize repeat performances of this piece with live performers.

Today we went into the studio to record the score that will appear on the online version of the video and future screenings at venues that aren’t able to accomodate a live ensemble. The group knows the piece very well by now, so there was little need for rehearsal or fine-tuning in the studio, and things went very smoothly.

Now it’s left to choose the best take, to mix and master the score, and to adjust the video as needed so that the music and imagery is perfectly in synch.

In the studio
In the studio

Over the coming months I will be approaching galleries and museums, film festivals, and music ensembles with the aim of securing further screenings and performances outside of NEC. If you know of a venue, festival or ensemble that might be interested in this piece (10 minutes duration), either as a video with recorded music or with a live ensemble, please contact me at

** UPDATE: The Faraway Nearby is now available for viewing online!! Please visit **