Score available for purchase. Please direct inquiries to Nell Shaw Cohen at nell@nellshawcohen.com.
Program Note
I Would Like was commissioned by the Arkansas State University Concert Choir for inclusion on a program of choral works by women. Director Ryan W. Sullivan invited me to set a poem by Kathryn I. W. Sparks in which the speaker paints a vision of the contentment they wish to feel at the end of their life. I sought to honor the emotional nuances of this reective text through moments of madrigal-esque word painting and the gentle tension of harmonic suspensions.
Text
I would like to die at evening
just as dusk darkens to blue
as the birds chant evensong and
meadow mist falls into dew
distant bells change-ring by lamplight
petals drop from heated blooms
while the hum of peaceful breathing
flows at ease through quiet rooms
I would like to die at evening
as the city goes to sleep
leaf and flowers’ perfumes lie down
in their moonlit beds to sleep
rise up as all else is settling
one last loving touch to wear
having feasted through my lifetime
then I’ll dissipate to air
A love letter to wanderlust, Sauntering Songs weaves together art songs, choral music, and literature into an expansive cantata on the theme of walking.
Influences from rock, folk, and musical theater shine in a lyrical and evocative score by composer/librettist Nell Shaw Cohen, marrying the voices of three-time GRAMMY®-nominee Skylark with an instrumental quartet comprised of guitarist James Moore and musicians from Juventas New Music Ensemble.
From Walt Whitman to the present day, Sauntering Songs celebrates diverse characters who search for freedom and fulfillment through subversive journeys on foot.
Perusal Score
Perusal score available on request. Performance score available for purchase. Please direct inquiries to Nell Shaw Cohen at nell@nellshawcohen.com.
Selections available for standalone performance (click titles for details and perusal scores):
BEST FRIEND – Tenor, acoustic steel-string guitar, and cello. 3 ½ mins.
RARE BIRD – Tenor, baritone, electric guitar, and piano. 4 ½ mins.
Credits
Music & Libretto by Nell Shaw Cohen With texts by John Clare, Megan Cohen, Mashuq Mushtaq Deen, John Francis, John Muir, Nan Shepherd, Walt Whitman, and Virginia Woolf
Dramaturg: Megan Cohen (Website)
Sensitivity Consultant for song “Best Friend”: Laura Elliott (Twitter)
Sensitivity Consultant for song “Rare Bird”: Dr. Kassandra Ford (Website)
Skylark Vocal EnsembleJuventas New Music EnsembleJames Moore, Guitar
Performance History
Skylark Vocal Ensemble (Matthew Guard, Artistic Director), Juventas New Music Ensemble, and James Moore, guitar; Falmouth Academy, Falmouth, MA, 4/20/23.
Skylark Vocal Ensemble (Matthew Guard, Artistic Director), Juventas New Music Ensemble, and James Moore, guitar; Church of the Redeemer, Chestnut Hill, MA, 4/21/23
Skylark Vocal Ensemble (Matthew Guard, Artistic Director), Juventas New Music Ensemble, and James Moore, guitar; St. Paul’s Episcopal Church, Newburyport, MA, 4/22/23.
The first version of Fallen Star was written in 2017 during the New Dramatists Composer-Librettist Studio, an intensive laboratory for music-theater collaborations directed by Nautilus Music-Theater.
Mashuq Mushtaq Deen and I created Fallen Star in response to a prompt from baritone Joshua Hinck to write a song with themes from Classical mythology. In doing so, Deen also incorporated our shared love of the American West, and the transcendent night skies of Northern New Mexico, into his brilliant lyric.
Fallen Star was later arranged and incorporated into Sauntering Songs: a concert-length cantata on the theme of walking, commissioned by Skylark Vocal Ensemble.
Nashua Pride Festival, Melina Jaharis, mezzo-soprano. Nashua Community Music School, Nashua, NH, 6/25/22.
New Dramatists, version for three voices presented as part of music-theater workshop. Blake Friedman, Nicole Mitchell, and Camille Harris, vocalists, with Charity Wicks, piano. New York NY, 4/19/18.
New Dramatists, version for three voices presented as part of public working session at culmination of the New Dramatists Composer-Librettist Studio. Joshua Hinck, Mallory Hawks, and Lucia Rodrique, vocalists, with Roger Ames, piano. New York NY, 02/03/17.
Soprano and piano (or mezzo-soprano, cello, and piano). 5 mins.
Painting by Nell Shaw Cohen
Soprano and piano version commissioned by Laura Strickling for The 40@40 Project.
Mezzo-soprano, cello, and piano version excerpted from Sauntering Songs: a concert-length cantata on the theme of walking, commissioned by Skylark Vocal Ensemble.
Lyrics by Megan Cohen.
The World Premiere recording of Woman Walking is featured on 40@40 released by soprano Laura Strickling (Bright Shiny Things). Available for purchase and for streaming on all major platforms. Nominated for a 2024 GRAMMY Award for Best Classical Solo Vocal Album.
Performance scores available for purchase. Please direct inquiries to Nell Shaw Cohen at nell@nellshawcohen.com.
Program Note
A portrait of a solitary woman and present-day flâneuse as she saunters on city streets, taking it all in and going nowhere in particular. Originally commissioned by Laura Strickling in a version for soprano and piano, this song was later arranged and incorporated into Sauntering Songs: a concert-length cantata on the theme of walking, commissioned by Skylark Vocal Ensemble.
Opera in one act for 2 sopranos, mezzo-soprano, baritone, and bass-baritone, with electric and acoustic guitars, bass guitar, drum set, 2 violins, viola, cello, and double bass. 71 mins.
Libretto by Megan Cohen. Commissioned by Houston Grand Opera for HGOco’s “Song of Houston” initiative. Recipient of OPERA America Commissioning Grant for Female Composers.
In Turn and Burn, small-town barrel racing champion Shayla Taylor and ambitious executive Jamie Hernandez aim for a big win at the Houston Livestock Show and Rodeo. When an accident threatens Shayla’s career-defining race, the women discover each other’s strength in adversity. Set in a colorful world of bucking broncs and carnival rides, composer Nell Shaw Cohen and librettist Megan Cohen’s original story informed by interviews with rodeo athletes offers a feminist perspective on contemporary rodeo culture.
Performance History
Workshop at Houston Grand Opera, Houston, TX, Geoffrey Loff, Conductor; 12/09/19.
World Premiere production originally scheduled for February 2021, postponed (due to COVID-19) to 2023 .
