Announcing “Sauntering Songs,” a cantata for Skylark Vocal Ensemble

Title reads "Sauntering Songs" with photo of a distant figure walking on a footpath in grass-covered hills
World Premiere Performances in April 2023

I am thrilled to share a once-in-a-lifetime, dream-come-true project, and my third collaboration with the world class Skylark Vocal Ensemble: Sauntering Songs.

A love letter to wanderlust, this World Premiere commission weaves together art songs, choral music, and literature into an expansive cantata on the theme of walking. Influences from rock, folk, and musical theater feature prominently in this score marrying Skylark’s voices with an instrumental quartet. From Walt Whitman to the present day, Sauntering Songs celebrates diverse characters who search for freedom and fulfillment through subversive journeys on foot.

This work is an expression of so much that I’m passionate about, in music and in life. I look forward to sharing this work with audiences in Massachusetts next spring!

Subscription tickets are available now for the three World Premiere concerts as part of Skylark’s 2022-23 season, “a tour de force of innovative programs that re-define the choral experience for singers and audiences alike.” Single tickets go on sale August 25. Learn more here.

THURSDAY, APRIL 20, 2023 | 7 pm
(6:15 pm pre-concert talk)
Simon Center for the Arts
at Falmouth Academy
Falmouth, MA

FRIDAY, APRIL 21, 2023 | 7 pm
(6:15 pm pre-concert talk)
Church of the Redeemer
Chestnut Hill, MA

SATURDAY, APRIL 22, 2023 | 7 pm
(6:15 pm pre-concert talk)​
St. Paul’s Episcopal Church
Newburyport, MA

June 2 Workshop of New Family Holiday Opera

Hear a Christmas fairy tale set in the magical world of “The Wizard of Oz”!

Librettist Edward Einhorn and I first started dreaming up The Life and Adventures of Santa Claus, a family opera adaptation of the 1902 holiday classic by L. Frank Baum, back in 2015 while we were both fellows in AOP’s Composers & the Voice program.

This nontraditional Christmas fairy tale set in the magical world of “The Wizard of Oz” has always captured my imagination. Now I’m delighted to share that there will be a workshop preview of our opera-in-progress, in person in NYC and streaming online!

Hear 25 minutes of excerpts from The Life and Adventures of Santa Claus, performed in a piano-vocal concert reading of two holiday operas next Thursday, June 2 at 7:30pm EDT at OPERA America’s National Opera Center, 330 7th Ave, New York, NY, in a presentation by Edward Einhorn’s Untitled Theater Company No. 61. “Claus” will be paired with excerpts from Exagoge, Edward’s opera on Passover themes with composer Avner Finberg.

Reserve your ticket here (recommended donation $10; masks and proof of vaccination required). A free livestream will also be available on YouTube and posted for 48 hours following the performance.

Greet the Winter Solstice with choral music!

Listen to Boston Choral Ensemble’s NEW live recording of Blue Shadows, Silver Sunlight, my choral setting of three poems for the winter season, from their holiday concert on December 11, 2021 (Klo Garoute, conductor).

Commissioned and premiered by Boston Choral Ensemble in 2019 through their 12th Annual Commission Competition, “Blue Shadows, Silver Sunlight” features settings of three poems on the theme of winter: “Winter Branches” by Margaret Widdemer, “A Winter Blue Jay” by Sara Teasdale, and “A Winter Ride” by Amy Lowell, all written in the early 20th century by American women. Each of these poets used vivid descriptions of winter phenomena to convey moments of profound connection to the natural world.

Any of the three movements may be programmed separately as standalone works for performance. Read the program note and view the perusal score here.

Virtual Choir Performance of “It’s a Long Way” by SEMMEA Festival Choir

It’s rare privilege to receive a commission and premiere performance during the COVID-19 pandemic. Even rarer: receiving  two performances of a new work within a short time!

I was deeply moved by the virtual choir performance of my choral score, It’s a Long Way, given by the Massachusetts Music Educators Association Southeastern District (SEMMEA) Senior Festival Choir.

In early January 2021, nearly 200 high school students remotely rehearsed and recorded their parts with guidance from conductor Dr. Christopher Jackson. Their individual performances were then assembled into this beautiful performance documentation.

I also had the pleasure of participating in a virtual visit with the choir and a Q&A led by Dr. Felicia Barber, alongside fellow composer Joel Thompson.

Commissioned by Skylark Vocal Ensemble for their New Voices for Education project, this work was composed primarily for study by high school and college choirs during the COVID-19 pandemic. The score and a professional recording of this work may be found on Skylark’s website.

“Transform the World with Beauty” in performances by The Astoria Choir, Williams College, and Skylark

Several upcoming performances have been canceled or postponed due to COVID-19; see list of all upcoming events for current information.

Transform the World with Beauty, my choral cycle inspired by the visual art and poetry of Victorian Britain, is being featured in concerts by three separate ensembles this spring!

The Astoria Choir logoI am honored that my piece was selected by The Astoria Choir as a winner of their Call for Scores for a program celebrating International Women’s Day. This Saturday in Astoria, Queens, the choir will be performing the first movement, “My First Camera,” which sets a delightful autobiographical text by pioneering photographer Julia Margaret Cameron.

Williams College logoNext month another ensemble, Williams College Chamber Choir will perform the second movement, “In an Artist’s Studio,” in two performances featuring their ensemble of women’s voices. This movement features Christina Rossetti’s poetic critique of a painter’s depictions of an idealized woman.

Looking further ahead to June, the Grammy-nominated Skylark Vocal Ensemble—who commissioned and premiered this work in 2019—will reprise the full cycle, including the third movement celebrating the designs and aesthetic philosophy of William Morris. Stay tuned for details!

In the meantime, listen to Transform the World with Beauty in the brilliant live recording by Skylark, paired with the texts and visual art that inspired my composition.

SATURDAY, MARCH 7, 2020 AT 8:00PM

The Astoria Choir — “Women in Song”
Trinity Lutheran Church, Astoria, NY

Event information

FRIDAY, APRIL 17, 2020 AT 6:00PM

Williams Chamber Choir — “Looking/Seeing”
Hancock Shaker Village, Pittsfield, MA

Event information.

SUNDAY, APRIL 19, 2020 AT 4:00PM

Williams Chamber Choir — “Looking/Seeing”
Williams College, Williamstown, MA

Event information.

World Premiere of “Blue Shadows, Silver Sunlight” by Boston Choral Ensemble

Snow-covered field with tree shadows
Photograph: Nell Shaw Cohen, Taos, New Mexico, 2019

Saturday, December 14, 3:00pm
Boston Choral Ensemble Holiday Concert
Old South Church
645 Boylston St, Boston, MA
Purchase Tickets

Boston Choral Ensemble will give the World Premiere of Blue Shadows, Silver Sunlight—commissioned through their 12th Annual Commission Competition—on the choir’s annual winter holiday concert!

Blue Shadows, Silver Sunlight (ca. 9 minutes) features settings of three poems on the theme of winter: “Winter Branches” by Margaret Widdemer, “A Winter Blue Jay” by Sara Teasdale, and “A Winter Ride” by Amy Lowell, all written in the early 20th century by American women.

Each of these poets used vivid descriptions of winter phenomena to convey moments of profound connection to the natural world. I’ve grouped these poems together because I feel they form an aesthetically cohesive set, providing the basis for a musical narrative arc that moves from quiet contemplation (“Winter Branches”) to joyful exuberance (“A Winter Ride”).

I hope you may be able to join me at this very special performance!

Workshop of “Turn and Burn” at Houston Grand Opera

barrel racer

Next month, librettist Megan Cohen and I head back to Houston for the first music workshop of Turn and Burn—our chamber opera commissioned by Houston Grand Opera’s HGOco for premiere in Spring 2021.

Four days of work with our performers and directors will culminate in a presentation on December 9th of the complete 75-minute score, drafted for a reduced orchestration of piano, electric and acoustic guitar, and drum set. Revisions and orchestration will follow, leading to a full score workshop in 2020.

I can’t wait to share the fruits of this process with you all!

Skylark Premieres “Transform the World with Beauty”

Skylark Vocal Ensemble group photoSkylark Vocal Ensemble. Photo: Sasha Greenhalgh.

I am thrilled that brilliant GRAMMY Award-nominated vocal ensemble Skylark will premiere my work Transform the World with Beauty on April 4, 5, 6, and 7 during their tour of Massachusetts and Washington, D.C.! Concert details are listed below.

​Skylark is one of the leading vocal ensembles in the U.S., praised for their “awe-inspiring” performances (Boston Music Intelligencer), and their “original” (BBC Radio 3), “imaginative” (Limelight Australia), and “engrossing” (WQXR NYC) programming.

Skylark commissioned me to write a piece for their program Masterpiece, offering musical reflections and reactions to the visual arts. Transform the World with Beauty, an 11-minute work in three movements, is inspired by the flowering of visual art and poetry in Victorian Britain during the 1840s-1870s.

Julia Margaret Cameron, "Pomona," 1872

The first movement, “My First Camera,” celebrates avant-garde photographer, Julia Margaret Cameron. In my adaptation of an excerpt from Cameron’s autobiography, this pioneering artist describes the power of her creative impulse when she first took up the camera as a 48-year-old wife and mother. (Image: Julia Margaret Cameron, “Pomona,” 1872.)

“In an Artist’s Studio” is a setting of a poem by Christina Rossetti. She offers an incisive, feminist critique of her brother, Pre-Raphaelite painter Dante Gabriel Rossetti, and his obsessive depictions of an idealized woman. (Image: Dante Gabriel Rossetti, “The Annunciation” (detail), 1849.)

William Morris, "Strawberry Thief" wallpaper design, 1883

The final, title movement is inspired by the work and ideas of William Morris. The botanical and mythological titles of Morris’ sensuous textiles and wallpaper designs are juxtaposed with lofty sentiments from his philosophical lectures and essays. These two strands of Morris’ world, disparate at first, come together into a hopeful vision of society “transformed” through the beauty of nature and art. (Image: William Morris, “Strawberry Thief” wallpaper design, 1883.)

Transform the World with Beauty will be recorded during Skylark’s tour, and I look forward to sharing it with you all! Sadly, I can’t attend the Massachusetts dates myself, but I’m thrilled to hear the concert in D.C. See the links below and visit Skylark’s website for more information.

THURSDAY, APRIL 4, 2019 AT 7:00PM
Fitchburg State University, Fitchburg, MA
Tickets

FRIDAY, APRIL 5, 2019 AT 7:00PM
Gloucester Meeting House, Gloucester, MA
Tickets

SATURDAY, APRIL 6, 2019 AT 3:00PM
Cole Memorial Chapel, Wheaton College, Norton, MA
Tickets

SUNDAY, APRIL 7, 2019 AT 4:00PM
St. John’s Episcopal Church, Georgetown Parish, Washington DC
Tickets

World Premiere of “Transforming Forest” at SITE Santa Fe

Andy Goldsworthy's "Tree Fall"
“Tree Fall” by Andy Goldsworthy. Photo by Nell Shaw Cohen.

Announcing the World Premiere of Transforming Forest (2018) for piano, violin, and cello, commissioned by Montage Music Society—Santa Fe’s chamber ensemble dedicated to music inspired by visual art.

SITE Santa FeThe World Premiere is presented by SITE Santa Fe, a world-renowned space for contemporary art. The program will be repeated on Montage Music Society’s Altazano Salon Series.

I composed Transforming Forest in response to the four incredible installations created by British artist Andy Goldsworthy in the Presidio of San Francisco. These site-specific artworks resonate deeply with me and I hope to share some small piece of that through my music. Visit my website about the project for descriptions of my music and the artworks that inspired it.

FRIDAY, MARCH 1, 2019 @ 6:00PM
SITE Sante Fe, Santa Fe, NM
Event Website

SATURDAY, MARCH 16, 2019 @ 3:00PM
Altazano Salon Series, Santa Fe, NM
Event Website

Artist Residency at The Helene Wurlitzer Foundation in Taos, NM

Casita studio at The Helene Wurlitzer Foundation in Taos, NM.
Adobe casita studio at The Helene Wurlitzer Foundation in Taos, NM.

I’m spending two months in Taos, NM as an Artist-in-Residence at The Helene Wurlitzer Foundation of New Mexico. I’m hard at work on the score of Turn and Burn, my upcoming chamber opera about rodeo for Houston Grand Opera’s HGOco.

As a three-time alumna of the Wurlitzer Foundation’s residency, I’ll also be giving an Artist Talk at The Harwood Museum of Art in conjunction with their special exhibit, The Legacy of Helene Wurlitzer: Works from the Harwood Collection. This event takes place on Friday, March 8, 2019 at 5:30pm. Details at harwoodmuseum.org.